After a brief foray (see last week's episode) on planet Earth, Larry Winchester now returns to our heroes in their hijacked flying saucer, and to the inimitable voice of that charming rogue Dick Ridpath.
(Click here to return to the very beginning of our serial. This episode rated NC-17, for excessive violence to the English language.)
Things got very confused at this point.
The problem was that Daphne couldn’t get her seat belt on. She always has problems with seat belts. Don’t ask me why. I’m sure it didn’t help her nerves that there was this high-pitched screeching noise going on. But, anyway, I can see she’s getting more and more pissed off and frustrated, so, you know me, always the gentleman, I unbuckle my belt and reach over to try to help her when all of a sudden Frank jumps over and wham! he rabbit-punches me right behind the ear, I fall into Daphne’s lap, and then in a flash Frank grabs Daphne’s little gold lamé purse which was lying on the ledge in front of her, he rips it open, takes out the little .38 and presses it against the side of her head.
I know, I know, I fucked up, and believe me I felt like God’s own asshole. What can I say? You have to remember that we were still tripping on that peyote we’d taken earlier that evening, plus of course I had probably had one martini too many, but, no excuse, I fucked up.
So I stand up straight, a little wobbly, Mac and Buddy are still busy at the controls, navigating us out of one dimension and into another, Brad’s just sitting there bug-eyed, I don’t know what Harvey’s doing, with this ungodly screeching science fiction sound getting louder and louder, and over it Frank shouts something dramatic like, “Okay, Mac, now turn this crate around or I introduce some lead into the lovely Mrs. Ridpath’s brain.”
“Well fuck you, mister,” snaps Daphne, turning around so that the pistol’s pointing right in her face.
“No, excuse me, bitch,” says Frank. “Fuck you.”
“Oh!” says Daphne, and she turns to me. “Dick, kill him.”
“Um, excuse me again,” says Frank, “you dizzy fucking broad, perhaps you have not noticed it is I who have got the fucking gat --”
Then, well, my wife has a temper.
She suddenly just whacks at Frank’s gun-hand with her hand, and as she does the gun goes off, I hear a grunt, I turn, and there’s Mac holding the side of his gut with blood streaming through his fingers, and I hear Frank say, “Oh shit,” and then Mac says, “You’re saying oh shit,” and then Frank’s pointing the gun at Buddy and yelling, “Turn this fucker back, Buddy!” and Buddy says, “Okay, Frank, okay, stay calm,” and he presses a button and then wham.
Frank starts floating. I start floating. We’re in free fall. Daphne’s rising up in her seat but she’s holding onto her armrests, and Frank’s in mid-air thrashing his arms and legs and yelling, “Buddy, you fucker!” and I’ve got two damn guns on me, my Browning in my jacket pocket and this .38 Chief’s Special I’d taken off of Henry Silva in my waistband, and I’m trying to grab one or the other of them, but I’m spinning in the air like a drunken acrobat and the guns are flying away from me and all this blood is floating in these scarlet globules all around Mr. MacNamara and then through all the blood I see Buddy, who’s strapped into his chair, he’s got a .45 out from inside his coveralls and he’s snapping the slide back and aiming the gun at Frank and then Frank’s gun goes off again and Buddy gets hit in the lung, but he fires too and as I cartwheel around again I see that Frank’s been hit in the chest and he’s spinning back head over heels pouring out blood as Buddy empties his clip at him and now there’s just blood swirling around everywhere in red clouds and streams as if we were in a big aquarium and someone had just dumped a couple of buckets of red paint into it and then, well, I suppose it was then that we passed through this wall between the two dimensions.
I’d been conked out the first time we went through it, and so except for a few very weird dreams I had been blissfully oblivious on account of having been shot a couple of times by Grupler and Marlene, but now I was awake, and it was -- well -- difficult to put into words really -- like describing an orgasm or an acid trip or something of that nature.
Physically I felt as if my insides were rushing out of me through my head, through my ears and nose and mouth, through my eyes.
Mentally it was, well…
As you know, earlier that night while shaking hands with the Sailor Spaceman I’d had this instantaneous rush of memory, of everything I’d ever experienced from the womb on -- but now it was like I was experiencing practically everything anyone had experienced back through the whole history of man. Every life that had contributed to my life, all my ancestors, living all their lives in reverse, like some awful epic cinéma verité movie run backwards, I saw, I was, I don’t know, a caveman, thousands of years of cavemen, and before that some kind of ape man and so on back and back till I was something slithering out of the ocean -- or actually I was slithering back into the ocean -- and then I was something in the ocean and then back, and finally I was some kind of protozoa I suppose, if that’s what they’re called, and then it was just a bright light for a long time, a very long time, and then it was darkness, just darkness and silence, again, but, once again, oddly enough, I wasn’t afraid.
It keeps coming back to this empty black silence business, doesn’t it? The thing we’re all afraid of. Well, one of the things we’re afraid of. But, again, I wasn’t afraid. I was just there. Back in the old black hole again. But I don’t think I’ve quite described it properly. It was...damn it, I’m no writer, what do I mean? Well -- everything was nothing and I was nothing and everything. And this seemed to be an eternity. I mean I, it, everything and nothing was, were, is beyond time. It all just was. Neither good nor bad, it just was…
Okay, to cut it short, all good things must come to an end I suppose because suddenly, an eternity later, I was aware of a light, or I was the light, and then, well, the whole deal started up again but this time in the forward direction, I was the beginning of creation and everything that followed, flying forward through all of history, through the whole damn thing all over again.
And, well, I know Daphne’s going to jump all over me here but through all this it seemed I became aware of something, some sort of profound revelation or epiphany, but unfortunately it was like one of those profound revelations that happen in dreams. When you wake up it’s gone. You know you’ve had it, but you don’t have it now. Oh well. That’s life.
(Continued here. Soon to be a major motion picture event from AIP, starring John Saxon and Anjanette Comer, produced and directed by Larry Winchester; screenplay by Larry Winchester and Horace P. Sternwall.)
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